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The Great War In PortraitsStock informationGeneral Fields
Special Fields
DescriptionIn viewing the Great War through the portraits of those involved, Paul Moorhouse looks at the bitter-sweet nature of a conflict in which valour and selfless endeavour were qualified by disaster and suffering, and examines the notion of identity how various individuals associated with the war were represented and perceived. The narrative is structured chronologically, with thematic sections devoted to conflicting pairs Royalty and the Assassin, Leaders and Followers, The Valiant and the Damned which reveal the radical differences between those caught up in the conflict in terms of their respective roles, aspirations, experiences, and, ultimately, their destinies. Leaders and Followers, for example, examines the dichotomy between the representation of senior military leaders such as Blumer, Foch, Haig and Hindenburg, who were responsible for directing the war, and that of the ordinary soldiers charged with executing it. While portraits of the generals emphasise their personal profile, gallantry and the trappings of military power, paintings of the rank and file are characterised by a tendency to anonymity, in which individual identity was subsumed with the impression of types. |